2011/07/26

The Dark Horse

"You," I breathed, "are the dark horse. You move always in the night.
You graze for only a moment in the spring-covered field, you pause gravely where others burst forth."

Tonight it is Aldous

Here he is
in bed,
breathing in the printed text.

Doors of Perception

He is encountering the Holy things,
that are holy without need of a definitive shape.

Here he is
seeing things that wear no guise,
things that just are, in themselves.

He lies in the darkened part of a bedroom,
in the front of a sea-facing house.

2011/07/19

An ode to moving very quickly and never wearing a watch.

I often long for that time when youth was newly upon me, when it still tasted slightly foreign and against my face felt full and fresh. I long for it, as it was then that everything was new. I traveled frequently in those days, sat against the cool marble of railway station floors in Nice or in Rome, or some other place, and felt the sweat of summer drench my shirt through a too-big backpack. I skipped across countries like chess squares and the days unfolded like crinkled maps.

Once I lay on a Croatian deckchair and felt the sun encase my skin, read with oil stained hands the thoughts of beautiful and terrible people. I felt the plastic of the seat melt with the Adriatic's prickle. I made notes in the side-columns of the Communist Manifesto - I annotated everything. It was a time of learning, a time of doing. If I wanted things, I would take them, if I made plans they were executed.

Once I hid in the furnace room of a cheap London hostel and laughed casually as things that were not casual were told to me in earnest. The boy in question was going to become a doctor once he left this dead-end job, or at least that’s what he said. For if you are youthful, you can believe what you like and pretend nothing matters, you can ignore the telephone calls and voice-mail messages as if they were scribbled notes on paper airplanes that were interceded or torn up.

When youth was eating me, when it ate me, I was in a university room in Southwest England; I took a bus home in the morning and buried the incident away. Everything was ‘sound’ and ‘lush’ then, except for those few small October regrets.

I would like to feel - again - the thrill of youth upon me, the surge of a billion ideologies all calling out my name. The shouted lines of boozed-up club promoters as they descend into a Lagos gutter (full of vomit and too much vodka), the words of a dear friend as they speak the final ‘good night’ into our darkened sleeper rail carriage. Everything was new and pulsating then, every phrase was filled with light.

2011/07/18

From the hours of one until five

This afternoon you were in everything: embedded in the roughness of a brown paper newsagents bag, sleeping gently - with blanket and beard - on each of Hyde Park’s gum-stained benches, in the flicker of the carriage lights on the long train ride home.

2011/07/11

Leave Sydney's South

You're smack bang in the middle of a cultural ghost town right here. There’s no gatekeeper at the entrance, no articulated warning, just a bin for all your books and a hook to hang your dreams on. It's a tired town of ripped up denim, full up with peeling tans and dead white teeth. If you have ever had an original thought, leave now before it's strangled. There's no use in chasing the sun here, every day is drenched in death.

2011/07/05

Firing Blanks

I am now in the field, with a giant gun slung off one shoulder,
I am in the field around the corner from your house.
Shorts and sun, sun on shorts, checked collar warm against me,
(there is nobody here)

To Wait

Others have moved you,
before me
and without words,
clothed in stars and in stripes,
quiet fingers to lips.

To wait to move you
is to lie with words upon me
to heave them in slowly
and swallow them dry.
I wait to move you
wait
for the sentences to overcome you
for the paragraphs to engulf you
until you resign yourself to them utterly,
let your bones crack gently

under the weight of the acres,
that have waited for so long.